Obfuscate: To stupify or bewilder. To darken or confuse.
I am writing this article to bring to light my experience with the misleading business practices of Verizon FIOS. I am hoping to save others the problems I have had.
Two years ago, in May of 2012, I accepted a FIOS offer for TV, internet and telephone. The cost was $84.99 per month, with a two year contract. Adding in taxes and other charges the monthly total came out to $94.00 and change. The service that I received was fine.
This past May, knowing I was at the end of my two-year contract, I called Verizon FIOS to see what kind of a deal I could make to continue the service. I spoke to a Verizon representative (I’ll call him Representative #1) who told me that I could have the same services, with a two year contract, for $95.00 a month (not including taxes and other charges). I asked Representative #1 if I could have a lower rate if I dropped some channels from my cable package. He told me that he could put me on a lower channel tier but that I would lose some sports channels. I was fine with that but emphasized that I did not want to lose CNN or TCM (Turner Classic Movies). Representative #1 assured me that I would not lose CNN or TCM. I agreed to the two year contract. The next time I turned on my TV I discovered that I no longer had TCM. Read the rest of this entry
“Life Itself” is an absolutely fascinating, absorbing, entertaining and honest documentary about the life and work of film critic Roger Ebert. Being a big fan of Ebert’s work (granted I have not always agreed with him) on TV and in writing, and having once seen him and his TV partner, Gene Siskel, at an appearance at the Museum of TV & Radio (now the Paley Center), I just could not get enough of “Life Itself.” In fact, the only criticism I can think of is that I wanted it to be longer than its current two hour running length. As a result, I cannot wait for the DVD extras. Read the rest of this entry
Siddharth (Director Richie Mehta and Lead Actress Tannishtha Chatterjee to appear following 7:40 show at Lincoln Plaza Cinemas on Fri. 6/27/14)
From India, “Siddharth,” a film by writer and director Richie Mehta, is a harrowing, thoughtful movie. It has been beautifully made, with a fine cast. The film has a narrative that is direct, simple, even suspenseful, yet, at the same time, brings out the complexities facing a poverty stricken family living in modern day India. Read the rest of this entry
“No profanity, come to church, don’t spill coffee on the carpet,” are the rules laid down by Pastor Jay Reinke of the Concordia Lutheran Church in Williston, North Dakota. He provides shelter and food to people who have come from all over the country to, hopefully, find employment in the oil industry. Hydraulic fracturing has resulted in a rich oil field, in or near Williston, and jobs are many. Those who show up are desperate for work. As one man, at the end of his rope, puts it, “I can’t afford to live.”
“The Overnighters” is a highly charged and engrossing documentary about one man trying to apply the concept of “Love Thy Neighbor” to floods of humanity, mostly men, who come to his church. At the center of it all is Pastor Reinke who, right from the start, is a very compelling character. As I’ve said many times in this column, even a documentary has to have great characters. Reinke delivers. Read the rest of this entry
Jon Favreau has written, directed and starred in a nice, but unchallenging story with likeable characters that, unfortunately lacks the one crucial element that all films need, conflict.
To be fair, “Chef” does have a promising start. Favreau plays Carl Casper, an idealistic chef who strikes out on his own to make the kind of food that he likes, as opposed to the tiresome menu that restaurant owner, and unfeeling boss, Dustin Hoffman wants him to make. Carl’s actions follow a quite funny online twitter feud with acerbic food critic Ramsey Michel, played by Oliver Platt. This makes for great conflict and I was hoping the film would have more with this. Twitter does play a prominent role in “Chef” as the internet unsavvy Carl learns the “ins” and “outs” of Twitter via his pre-adolscent son, Percy (nicely played by Emjay Anthony).
The bulk of “Chef” though concerns a long cross country trip with Carl, Percy and loyal co-chef buddy, Martin, played by John Leguizamo, driving a taco truck and “wowing” food oficionados along the way. Leguizamo, not exactly stretching here, plays, well, John Leguizamo, the funny, wise-cracking, “knows how to get the job done,” side kick, something which he does well.
“Chef” does have a game, energetic cast that also includes Sofia Vergara, Bobby Cannavale, Scarlett Johansson and Robert Downey, Jr.
As fellow festival goers became impatient with the film’s nearly two hour running length and started to leave, I stuck it out, hoping that a second act crisis would kick things back into gear (much like the Twitter feud in the first act) but, outside of Carl having some squabbles with his son (which were easily patched up) none was delivered. The film’s conclusion is strictly “Deus Ex Machina.”
I think “Chef” could use a good trimming prior to a theatrical release.
The Tribeca Film Festival is now running from April 16 – 27 at various venues around town, most of which are not actually in Tribeca. As in previous years, my coverage of this year’s Tribeca Film Festival is all about the films, documentaries in particular. Do not get me wrong, the glamour, glitz and celebrities are important but, for me, more than anything, the festival is about the work. At film festivals the documentaries are almost always the best parts, while fiction films can be uneven. Stick with the documentaries and it is all but guaranteed that you will see great filmmaking.
One documentary that really touched me was Garnet’s Gold. “Garnet’s Gold” is a universal, funny, bittersweet and ultimately very human story for anyone who has ever had doubts about the direction in which his, or her, life has gone. Most important, “Garnet’s Gold” has great characters, a vital element for any documentary.
“Garnet’s Gold” is the story of Garnet Frost, a 58-year-old man, living in Scotland, whose life has never quite jelled. Although a talented individual with high ideals, Garnet describes himself as stuck in limbo, as far as the progress of his life is concerned. He is waiting for something to come his way, which, so far, has not. Garnet lives with his soon to be 90-year-old mother who is a font of philosophy, wisdom and humor and one of the film’s many highlights.
The film’s back story is that 20 years before, Garnet, while hiking and camping by Scotland’s Loch Arkaig, in the wilderness, ran out of food and shelter and assumed he was just going to die. He was rescued. Along the way Garnet found a staff stuck into a rock formation. Upon reading an account of pirate gold being buried some 300 years before, in the same area in which he was found, Garnet is convinced that his staff was the marker for the gold. Garnet then sets out on a quest to locate the area from which he was rescued and find the gold. As Garnet’s mother, who has lent him money for the expedition, puts it, “It’s not gold, it’s his heart’s desire,” that he is after.
“Garnet’s Gold” has been beautifully photographed and directed by Ed Perkins.
Art and Craft is a fascinating look at the nature and definition of art and deviance. The story concerns schizophrenic art forger Mark Landis. Landis has an incredible talent for making perfect copies of paintings by Picasso and Matisse, among other artists. His forgeries hang in major art museums around the country. Is Landis guilty of a crime? No. He does not sell his art. Landis merely donates his art to museums, usually with a false story as to where it came from and the significance the work has for him. It is up to the museums to do their due diligence in order to determine if the art is authentic. Many, obviously, had not.
“Art and Craft“ questions the importance of authenticity in the art world. If the forgery is good enough to fool experts does it really matter that a particular work is a forgery? As Robert Wittman, part of the FBI Art Crime Team points out, “The art world is a very strange place.”
As a teacher of sociology I am very interested in the concept of deviance. On the one hand, one could say that Landis is engaging in deviant behavior, but by whose definition? What norms is he really breaking other than using his talent to pull pranks on museums? After all, it is up to the museums to figure out if the art is genuine.
Landis himself is perfectly upfront about what he does explaining that, in his opinion, ethical behavior does not pay off. Landis, in spite of his mental illness, or perhaps because of it, proves to be a character who is observant, confident and intelligent, with more than a bit of irreverence and humor about what he does.
“Art and Craft” has been directed by Sam Cullman and Jennifer Grausman.
Looking at our hi-tech world from the point of view of an event that happened 33 years ago,1971 is ajaw-dropping pre-cursor to the times in which we live.
Living in the age of Julian Assange and Wikileaks, Bradley Manning and Edward Snowden we don’t think about a lo-tech leak of secret documents (aside from what Daniel Ellsberg famously accomplished with the Pentagon Papers). In the year 1971, government secrets were on hard copy only. “If you disrupted the paper, you disrupted system,” we are told.
In 1971, at the height of the Vietnam War, in the town of Media Pennsylvania, a group of eight citizens, calling themselves “The Citizens Commission to Investigate the FBI” broke into the local FBI office. To help their scheme come off, they did this on the night of the famous Ali – Frazer boxing match, knowing that everyone else would be distracted watching the fight. They uncovered evidence of a top secret civilian surveillance program run by then FBI Head J. Edgar Hoover. The discovery and subsequent release of information to newspapers changed the course of government surveillance…at least for a while.
The group was never caught. Only now, in this documentary, do they come forward to discuss the motivations for their actions.
Director Johanna Hamilton and editor Gabriel Rhodes have created a fast moving narrative, seamlessly blending present day interviews, stock footage, historical footage and re-enactments to tell this incredible, true story. “1971” is an exciting and stark reminder that the more things change, the more they remain the same.
Screening venues include AMC Loews Village 7 (66 3rd Avenue) and Bowtie Chelsea Cinemas (260 West 23rd Street) and the SVA Theatre (33 West 23rd Street).
For more information on the Tribeca Film Festival, visit www.tribecafilm.com.
I have to admit that, at first, I was quite intrigued by the set up of the new science fiction movie “Divergent.” Sadly though, before too long, I was disappointed (although not very surprised) to soon find myself in a movie that was tedious and whose title could have almost had its letters rearranged to one more fitting, like “Derivative.”
The problems with “Divergent” are many. The most basic one is an issue many movies have. There is an interesting premise, which is fine for the first and second acts. After this, the story just does not know what to do with itself and, as a result, follows patterns that are predictable, un-intriguing and easily resolvable. The malady, referred to in both film and theatre, is called, “Trouble in the third act.” An example is a great premise that is resolved with a standard issue CGI (computer graphics imaging) enhanced car chase and/or shoot out. Story over, back door left open for a sequel.
The WordPress.com stats helper monkeys prepared a 2013 annual report for this blog.
Here’s an excerpt:
The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 15,000 times in 2013. If it were a concert at Sydney Opera House, it would take about 6 sold-out performances for that many people to see it.
While there are many good things in director Alexander Payne’s new film “Nebraska,” something is missing. “Nebraska” plays like a very good approximation of one of Payne’s films, which include “Election” (1999), “About Schmidt” (2002), “Sideways” (2004) and “The Descendents” (2011). At a certain point I felt “Nebraska” lapsed into a predictable resolution. It has the pieces of a Payne film, but somehow not the conviction.
Now, having voiced my concerns in the previous paragraph, I want to point out that “Nebraska” has a number of things to recommend it. “Nebraska” certainly has a very good cast led by the under-utilized Bruce Dern. Dern co-stars with “Saturday Night Live” alum Will Forte. The two play Woody and David Grant, respectively, a father and son on a road trip from Minnesota to Nebraska. Woody has received the equivalent of a Publisher’s Clearing House mailing implying that he has won a million dollars. Woody, in the early stages of senility, is convinced that he has actually won the great prize and is determined to go to the address in Nebraska to claim it. Woody does not trust the mail. David, in a gesture to placate his father and to put this obsession to rest, decides to drive his father to Nebraska to settle the issue. Along the way they meet friends and relatives who shed light on Woody’s past. Read the rest of this entry
This year I was a participant in the 13th annual Coney Island Film Festival, which ran from September 20-22. While I always enjoy film festivals, I had an especially nice time at this small, intimate, warm, friendly, community oriented, independent minded and very cool festival, sponsored by Coney Island USA. The opening night events included a very enjoyable, live burlesque show. How many film festivals do that?
My documentary short, “Mad Santa,” was shown on Saturday, September 21 as part of a program of documentary shorts. After seeing some of the other entries in this program, I realized I was in the company of some very talented filmmakers. I was gratified to see my work get some (much hoped for) laughs in its first public screening and receive some nice compliments from audience members following the program.
As has always been my experience at film festivals, the documentaries are the best part, and Coney Island was no exception. Maybe it is just my bias, but, at film festivals, the documentaries seem to have the most consistently high level of quality. Read the rest of this entry