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“On Cinema: Alexander Payne” at New York Film Festival
Posted by unpaidfilmcritic
On October 15 the New York Film Festival presented “On Cinema: Alexander Payne,” in which the director (“Election,” “About Schmidt,” “Sideways” and the soon to be released “The Descendants”) talked about influential films in his life. The event was sponsored by HBO, moderated by NYFF Selection Committee Chairman Richard Pena and took place in the Film Society of Lincoln Center’s Walter Reade Theater.
Payne proved to be an affable, frank and intelligent subject who frequently turned Pena’s questions around, playfully shooting them back at his interviewer. Interspersed throughout the talk, Payne showed clips from four influential films: Anthony Mann’s “The Naked Spur,” Michelangelo Antonioni’s “La Notte,” Martin Scorsese’s “Casino” and Akira Kurosawa’s “Red Beard.” Payne also brought a 16m print of an early film by director Carroll Ballard, “The Perils of Priscilla,” a lively, imaginative short which showed the world from the point of view of an abandoned house cat. Payne said it was one of the best movies ever made. Read the rest of this entry →
Posted in Feature Articles, New York Film Festival 2011
Tags: 16mm, A Clockwork Orange, Alexander Payne, Anthony Mann, Barry Lyndon, Casino, Cool Hand Luke, HBO, James Stewart, La Notte, Martin Scorsese, Michelangelo Antonioni, New York Film Festival 2011, One Eyed Jacks, Red Beard, Richard Pena, Sunset Boulevard, The Bad and the Ugly, The Descendants, The Good, The Naked Spur, The Perils of Priscilla, The Sound of Music
