Category Archives: Documentary
As someone who came of age at the tail-end of the second wave of feminism, the documentary film “She’s Beautiful When She’s Angry” has a special resonance for me. Featuring interviews with women who were involved in the movement and stirring archival footage, often featuring those same women, the film takes us back to a time (not that long ago) when equal rights for women was a radical idea.
The antiwar, civil rights, and free speech movements were at their peak in the 1960’s and ‘70’s, but while the male activists formulated policy and held press conferences, the women found themselves relegated to sealing envelopes and making coffee. With an evolving understanding that female disempowerment is systemic and institutional, women within those movements began rising up to claim their rightful place alongside the men. For many of the men, though, this new liberation movement hit too close to home. In one scene, shocking by today’s more enlightened standards, Marilyn Webb bravely advocates for women’s equality before a gathering of hundreds of “New Left” men, only to be ridiculed, cat-called, shouted down, and even threatened with rape. Read the rest of this entry
June 28, 2017. As a sociology teacher of mass communication and popular culture, I especially enjoyed the new documentary, “The Reagan Show.” For those of us who lived through the Reagan presidency, the title alone should tell it all.
“The Reagan Show” is a fascinating look at the Reagan years from the inside and the outside – the White House’s in- house media and the mainstream media. The story is told partly through archival footage shot by the White House TV production crew, dubbed “White House TV.” We see the expected flubs that were never shown – Ronald Reagan mispronouncing a name, Reagan saying something official to the camera and then making a humorous, off-camera remark, that negates what he just said. In addition to the in-house footage, there are interviews, commentaries and news footage of the time. It is also a primer on how media can be used to shape an image, to put it mildly. Read the rest of this entry
June 20, 2017. I can’t imagine how anyone, even someone opposed to marriage equality, could fail to be moved by the love story of Victor and Fernando, a gay couple who only want the same protections and societal affirmation that are afforded mixed-sex couples in their city of Mexicali, Mexico. The documentary “No Dress Code Required” follows their two year struggle in nerve-wracking, suspenseful detail, as the City Registry applies every possible tactic to thwart their marriage – from a fabricated bomb threat, to invented anomalies in their witnesses’ signatures, to health testing required of no one else, to shutting down City Hall. The Mexicali officials are abetted by religiously inspired protesters who carry signs invoking Jesus and decrying some imagined threat to family values. But with every roadblock, Fernando and Victor become more doggedly determined, their ten year relationship growing stronger, their commitment deeper. Read the rest of this entry
June 14, 2017. “The Apology” is one of many amazing documentary films that are being screened during the Human Rights Watch Film Festival.
When “The Apology” opens, we see a group of elderly Korean women at a protest demonstration in Tokyo, Japan, peacefully demanding that the Japanese government apologize to them for their abduction and imprisonment as military sexual slaves during World War II. Japanese businessmen walk past shouting, “Go home Korean whores,” and worse, as the camera focuses on the dignified faces of these long-suffering victims. Needless to say, the apology is not forthcoming. Read the rest of this entry
June 6, 2017. The 2017 Human Rights Watch Film Festival Film Festival, co-presented by the Film Society of Lincoln Center and IFC Center, will run from June 9-18. This will be the festival’s 28th edition.
John Biaggi, the festival’s creative director said, “In these trying times for human rights, this year’s festival lineup champions activism – from people demanding accountability and major reform in the US police and justice institutions, to Chinese workers battling an electronics giant’s unsafe working conditions, to Mayan women at the forefront of political accountability and change in Guatemala, to the remarkable work of digital activists in Brazil and Tibet. The festival highlights the outstanding work of activists at home and around the world, presenting a broad array of urgent human rights issues beyond those that command today’s headlines.” Read the rest of this entry
Faith is often defined as an unquestioning belief in something unseen – a deity, or perhaps an inexorable force that shapes the patterns of life. The documentary “Sacred,” directed by Thomas Lennon, immerses us in a multicultural world of rites, rituals and celebrations from a variety of faith traditions, all of which create meaning in times of of joy, struggle and sorrow.
The director functions as more of a curator in this film, interweaving segments from more than forty independent filmmakers, all of whom are part of the communities they are documenting. We are present at a bris (Jewish ritual circumcision), we see a young boy eagerly prepare to become a Buddhist monk, we witness an Indian coming of age ritual, as well as an Apache Sunrise Ceremony which signals a girl’s passage into womanhood. Threads of mystery, pain and unbelievable beauty connect these, and many of the other rituals, which are presented without judgement and little explanation. Read the rest of this entry
May 16, 2017. Last October I wrote an article about
“Abacus: Small Enough to Jail,” a documentary which was
shown as part of the New York Film Festival. While I
realize most readers might not have been able to
make it to the festival, how fortunate it is that this
excellent documentary will start a run at IFC Center
on Friday, May 19. Read the rest of this entry
November 21, 2016. DOC NYC concluded its run of incredible documentaries this past Thursday, November 17. Even though the festival has ended, I am still making my way through the screener links sent to me from the festival’s publicist. These screener links enable me to watch DOC NYC documentaries online, as opposed to having to attend screenings in person. While I am a big advocate of seeing films in theaters with, hopefully, respectful audience members who do not talk, or need to check their smart phones every five minutes, screener links fit nicely into my all too busy schedule.
Of the DOC NYC documentaries that I have seen so far, and about which I have written during the past two weeks, “Big Sonia” more than rises to the standards of this festival. It is not only a fascinating documentary with a terrific main character in Sonia Warshawski (yes, even documentaries must have great characters) but a documentary that should be seen in light of our current political climate. In other words, those who forget history will repeat it. Read the rest of this entry
Anthropologist Susan Crate (center) and her daughter Katie in “The Anthropologist”
November 9, 2016. “The Anthropologist,” one of the best documentaries from last year’s DOC NYC, will have its premiere at Cinema Village (22 East 12th Street) on Friday, November 11 and will continue playing at Cinema Village, daily, through November 17. Following the 7:15 pm screenings on Friday November 11 and Saturday November 12 the film’s three filmmakers (yes three!), Seth Kramer, Daniel A. Miller and Jeremy Newberger will conduct Q&A sessions with the audiences.
“The Anthropologist” is an award winning documentary from Ironbound Films, a unique company which has produced some fascinating documentaries. Previous documentaries from Ironbound Films include the 2012 documentary “Evocateur: the Morton Downey, Jr. Movie” and “The Linguists” (2008).
“The Anthropologist” follows anthropologist Susan Crate on her journeys, over a five year period, during which she visits regions which are threatened by global warming right now, as opposed to areas where global warming may be a problem with which to contend in the future. For example, Susan and Katie travel to Siberia where global warming has caused the permafrost to melt. The resulting water, from the melted permafrost, destroys the production of hay, which is needed to feed cows, an important source of food for the people who live there. Crate is accompanied by her, sometimes reluctant, daughter Katie (who ages from 14 to 18 over the course of the film). Read the rest of this entry