From left to right, Diane Keaton, Robert De Niro, Robert Duvall, Francis Ford Coppola, James Caan, Al Pacino and Talia Shire at the “Godfather Reunion” at Radio City Music Hall, as part of the Tribeca Film Festival, 2017
April 30, 2017. On Saturday, April 29, the Tribeca Film Festival presented an incredible historical event at Radio City Music Hall. “The Godfather” (1972) and “The Godfather: Part II” (1974) were screened, followed by a reunion Q & A with the films’ director Francis Ford Coppola, actors Al Pacino, Robert De Niro, Robert Duvall, James Caan, Diane Keaton and Talia Shire (no relation, but I was thrilled to see my tickets next to hers at the “will call” window). The talk was moderated by movie director Taylor Hackford. The event began at 1:00 and went until about 9:30. Read the rest of this entry
“The Dog” is one of the best documentaries I have seen in quite some time. The film covers everything you could possibly want to know about the famous (or should I say “infamous?”) “Dog Day Afternoon” bank robber, and hostage taker, John Wojtowicz, immortalized by Al Pacino in director Sidney Lumet’s brilliant, scorching, 1975 film “Dog Day Afternoon.” It is also a fascinating and highly entertaining documentary, to be enjoyed even if you have not seen “Dog Day Afternoon.”
However, if you love “Dog Day Afternoon” the way I do (and I’ve been a fan ever since seeing it at the age of 13 – my God, what were my parents thinking?) “The Dog” is a fascinating and compelling compendium of things we know, and many things we do not know, about the actual events that transpired before, during and long after that blistering hot afternoon of August 22, 1972, in Brooklyn, when two men held up a branch of the Chase Manhattan Bank.
Watching “The Dog,” it is very interesting to see how much of the story “Dog Day Afternoon” got right. I had the privilege of seeing Lumet speak on many occasions. He always said that the story telling emphasis in “Dog Day Afternoon” was on the fact that this event really happened. Read the rest of this entry
“Scarecrow,” the 1973 road movie directed by Jerry Schatzberg, will be having a run at Film Forum from May 17 – 23. The film stars Al Pacino (fresh off “The Godfather”) and Gene Hackman, both in their primes.
“Scarecrow” will be shown in a clean, beautiful, anamorphic (really wide screen) print which, for me, was a revelation. I first saw “Scarecrow” many years ago when I taped it off of channel 5 at 2:00 am using the EP (lowest picture quality, but more time on a VHS tape) setting on my VCR. The film’s original wide screen dimensions were blown up to fill the space of square shaped TVs. In other words I was losing 50% of the picture. Now that home video users are used to the concept of letterboxing this problem has become less and less frequent. Commercial breaks were thrown in for good measure but, despite all of this, I liked the film. Now, seeing “Scarecrow” in its correct, widescreen aspect ratio, I can properly appreciate Schatzberg’s use of long takes as the characters amble about aimlessly toward objectives that they are probably not going to achieve, dwarfed by the wide open spaces through which they travel. Read the rest of this entry