Morgan Freeman and Clint Eastwood in “Unforgiven.”
August 3, 2017. Director and actor Clint Eastwood’s 1992 quadruple Oscar winning movie (including Best Director and Best Picture), “Unforgiven,” will have a run at Film Forum, in a stunning 4K restoration, from August 4 – 10. “Unforgiven is a dark, violent western that explodes the mythology and violent glamour of the old west. It is a story which movies in directions that are unpredictable and which defy expectations of the western genre.
“Unforgiven” is a fascinating meditation on the nature of violence, specifically the ideal of a “shoot ‘em up” versus the reality of actually killing someone. The difference between the “good guys” and “bad guys” in this film all depends on whose side you’re on. In this regard, “Unforgiven” is reminiscent of the Italian westerns, called “Spaghetti Westerns,” in which protagonists were not necessarily the “good guys,” a genre in which Eastwood made his bones as an actor. This influence is particularly felt in the film’s final credit, “For Sergio and Don” – Sergio Leone and Don Siegel. Leone directed Eastwood in his Italian westerns – “A Fist Full of Dollars” (1964), “For a Few Dollars More” (1965) and “The Good, the Bad and the Ugly” (1966). Siegel directed some of Eastwood’s movies state side, including the iconic “Dirty Harry” (1971), in which Eastwood plays a police inspector who lives by his own code. Read the rest of this entry
On October 15 the New York Film Festival presented “On Cinema: Alexander Payne,” in which the director (“Election,” “About Schmidt,” “Sideways” and the soon to be released “The Descendants”) talked about influential films in his life. The event was sponsored by HBO, moderated by NYFF Selection Committee Chairman Richard Pena and took place in the Film Society of Lincoln Center’s Walter Reade Theater.
Payne proved to be an affable, frank and intelligent subject who frequently turned Pena’s questions around, playfully shooting them back at his interviewer. Interspersed throughout the talk, Payne showed clips from four influential films: Anthony Mann’s “The Naked Spur,” Michelangelo Antonioni’s “La Notte,” Martin Scorsese’s “Casino” and Akira Kurosawa’s “Red Beard.” Payne also brought a 16m print of an early film by director Carroll Ballard, “The Perils of Priscilla,” a lively, imaginative short which showed the world from the point of view of an abandoned house cat. Payne said it was one of the best movies ever made. Read the rest of this entry