From left to right, Diane Keaton, Robert De Niro, Robert Duvall, Francis Ford Coppola, James Caan, Al Pacino and Talia Shire at the “Godfather Reunion” at Radio City Music Hall, as part of the Tribeca Film Festival, 2017
April 30, 2017. On Saturday, April 29, the Tribeca Film Festival presented an incredible historical event at Radio City Music Hall. “The Godfather” (1972) and “The Godfather: Part II” (1974) were screened, followed by a reunion Q & A with the films’ director Francis Ford Coppola, actors Al Pacino, Robert De Niro, Robert Duvall, James Caan, Diane Keaton and Talia Shire (no relation, but I was thrilled to see my tickets next to hers at the “will call” window). The talk was moderated by movie director Taylor Hackford. The event began at 1:00 and went until about 9:30. Read the rest of this entry
“Scarecrow,” the 1973 road movie directed by Jerry Schatzberg, will be having a run at Film Forum from May 17 – 23. The film stars Al Pacino (fresh off “The Godfather”) and Gene Hackman, both in their primes.
“Scarecrow” will be shown in a clean, beautiful, anamorphic (really wide screen) print which, for me, was a revelation. I first saw “Scarecrow” many years ago when I taped it off of channel 5 at 2:00 am using the EP (lowest picture quality, but more time on a VHS tape) setting on my VCR. The film’s original wide screen dimensions were blown up to fill the space of square shaped TVs. In other words I was losing 50% of the picture. Now that home video users are used to the concept of letterboxing this problem has become less and less frequent. Commercial breaks were thrown in for good measure but, despite all of this, I liked the film. Now, seeing “Scarecrow” in its correct, widescreen aspect ratio, I can properly appreciate Schatzberg’s use of long takes as the characters amble about aimlessly toward objectives that they are probably not going to achieve, dwarfed by the wide open spaces through which they travel. Read the rest of this entry